BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Plug In ICA - ECPv6.0.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://plugin.org
X-WR-CALDESC:Events for Plug In ICA
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20180101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20180626T120000
DTEND;TZID=UTC:20180729T180000
DTSTAMP:20260522T014255
CREATED:20180618T232325Z
LAST-MODIFIED:20180618T233728Z
UID:5595-1530014400-1532887200@plugin.org
SUMMARY:Exhibition: DIS\, Thumbs That Type and Swipe: The DIS Edutainment Network
DESCRIPTION:Exhibition Dates: June 26 – July 29\, 2018\nSummer Party & Opening Reception: July 7\, 2018\nCuratorial text: \n“Welcome to DIS! Genre nonconforming edutainment.” This salutation spoken by Chus\, an animated mouth-eye\, who speaks and blinks at the same time\, is our intermittent narrator and host through dis.art\, a curated video program and DIS’s new video streaming platform. DIS a collective formed in 2010 has been DISmagazine\, DISown and DISimages. They curate\, make installations and objects\, and operate as a hybrid voice that crosses disciplines. In this multi-fold manner of production that frequently shifts identities\, DIS questions the very value of segregating modes of making into specific fields of production or defined viewership. \nThey are connectivity — existing as popular culture\, from fashion to advertising through varied platforms from a shop to a life-style magazine\, while channelling a criticality that doesn’t necessitate the specified category of ‘art’. In their words\, “critique should occur as a compulsory reaction in the body of the public\, rather than as a field of specialised labour.”[i] Chus is both a mouth and an eye\, seeing as they speak\, observing and transmitting synchronously. Education and entertainment align as a means of critique and a methodology. It is a collision of disciplines that in DIS’s hands is both optimistic and dystopic in its visioning of future nations\, reprisals of histories and representation of our present. \nIn Thumbs That Type and Swipe: The DIS Edutainment Network\, DIS present a program of videos from their website dis.art that range between documentary\, instructional video and self-help guide. In an episode of Circle Time\, artist\, designer and editor of Bidoun Magazine\, Babak Radboy teaches children about money\, asking a small deadpan audience of under 5 year olds\, “so what is money”. He continues\, “money is a skeleton.” The children respond with little surprise. “It hides inside of everything that you see and holds it up like a puppet. If you see a chair\, it looks like a chair\, but it is also forty dollars; this room looks like a room but it is $20\,000 a month.” He makes a compelling metaphor that moves into definitions of wages and labour. In another video\, an interview captures the novelist and entrepreneur\, and self-proclaimed Sea-evangelist\, Joe Quirk pushing a new seaworthy technology that allows large structures to float\, at a conference in Tahiti. Quirk\, details a sci-fi story in the making that posits movable sea-pods\, which can disassemble and reassemble into segregated formations of politically aligned seafaring civic societies. And artist Casey Jane Ellison hosts a program\, Mothers and Daughters\, where she comedically\, and at times uncomfortably\, interviews her mother about their relationship in an attempt to unravel the oppositional perception of this matriarchal relationship as a fabricated legacy. \nThis video program is set with an installation that at first glance resembles tradeshow booths or world-fair pavilions. The walls painted a deep maroon with a selection of backlit photographs of people\, objects and text. Four free standing\, gridded and synched monitor’s play the video program of short vignettes in front of a couch made from hay bales. DIS could be selling international audiences on the merits of its nation’s policy and lifestyle\, or as a corporation\, selling its product with its contrived identity. Nations and corporations promote themselves in similar ways through production — gross national and domestic product growth are market gains\, and the people they serve are citizens and customers. \nIn this iteration of Thumbs That Type and Swipe[ii] at Plug In Institute of Contemporary Art\, seven images (from an enlarged and isolated mosquito to a close up of a ‘thumbs up’) are placed in light boxes commonly fabricated for advertising — selling you a pesticide or a national symbol? But of course you are in a gallery within an exhibition and this assemblage of seemingly incongruous images is selected by DIS who use the propaganda of nations and promotional material of markets to chop off heads. A figure stands in a fashionable down vest\, hands in pocket\, headless in a park amongst the trees\, or on the video monitors\, media theorist McKenzie Wark lectures about the possibility of a post pornographic state of being and techno gender\, with his head in his hands or resting on the floor as his body paces near him. “After the beheading what is left on our shoulders? \nDIS’s stylized beheadings seems more about shaking one’s head\, remembering the weight of it\, and shifting one’s perception than a violent removal. But their agenda also reads as direr\, pointed and critical of economic interconnections between commerce and state; the alignment of popular culture with consumers; and controlled flows of information through technology. Their questioning is systemic\, asking how do we learn and who controls it? Both questions linked to streams of directed data. Who sees what and why? \nList of Works  \nDIS\nOnboarding: Thumbs that Type and Swipe\, 2018\n7 Lightboxes\, 38” x 29”\nAdditional Text Drew Zeiba; Design Chris James \nDIS.ART\nVideo program\, total run time: 55 minutes. A compilation of video shorts featuring in order of appearance: DIS; Will Benedict and Steffen Jørgensen; Ryan Trecartin; Darren Bader; Malte Zander; Amalia Ulman; Ilana Harris-Babou; Maroon World; Ryan Trecartin; Casey Jane Ellison; Christopher Kulendran Thomas in collaboration with Annika Kuhlmann; Kim Laughton; Jacob Hurwitz-Goodman and Daniel Keller; Anastasia Davydova Lewis in collaboration with Eno Swinnen (A program guide is available at Plug In) \n[i] Mahammad Salemy\, “Dis in Conversation\,” 2016. https://ocula.com/magazine/conversations/dis/ \n[ii] DIS’s exhibition at Plug In ICA is an edited version of its first presentation in Madrid at La Casa Encendida from February 2 to May 13\, 2018.
URL:https://plugin.org/event/exhibition-dis-thumbs-that-type-and-swipe-the-dis-edutainment-network/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180627T180000
DTEND;TZID=UTC:20180627T190000
DTSTAMP:20260522T014255
CREATED:20180627T060410Z
LAST-MODIFIED:20180627T060410Z
UID:5620-1530122400-1530126000@plugin.org
SUMMARY:Hannah Black Artist Talk
DESCRIPTION:Hannah Black will present an artist talk over video as part of the Speaker series for Thumbs That Type and Swipe: The DIS Edutainment Network (Session I of Plug In ICA’s 2018 Summer Institute).* \nProminent artist\, writer and critic\, Hannah Black studied English Literature at Cambridge University before completing an MFA in Art Writing at Goldsmiths\, University of London. She then participated in Whitney’s Independent Study program. Recently\, she has published two books; Life (2017)\, in collaboration with Juliana Huxtable\, and Dark Pool Party (2016). Her work has been screened and shown in exhibitions across Europe and the United States with recent exhibitions at Real Fine Arts\, New York; Centre D’Art Contemporain\, Geneva; CHisenhale Gallery\, London UK; mumok\, Vienna; Arcadia Missa\, Paris; and New Museum Theatre\, New York. \n\nFor a full list of the DIS: Session I\, Visiting and Video Speakers: https://plugin.org/exhibitions/summer-institute-dis-edutainment-network/ \n\n* For Session I of our 2018 Summer Institute Program we are extremely pleased to have DIS collective member\, Marco Roso as our lead faculty (June 25-July 7\, 2018). Framed by our summer exhibition of the same name\, DIS’s seminar Thumbs That Type and Swipe: The DIS Edutainment Network circles around a series of exhibitions organized by DIS and framed by dis.art\, a new streaming edutainment platform. Through direct engagement with the artists of dis.art\, the session will contemplate a series of linked concerns\, including: the nature of belonging in a rootless-seeming\, networked world; the changing relationship to the ways one owns\, lends or gives time through occupations\, bodies\, or other forms of value-creation. Some of the topics DIS will cover: Money: what is it?; information consumption; the future of citizenship; reparations; love and humor. \n\nPlug In ICA extends our gratitude to our artists\, generous donors\, valued members and dedicated volunteers. With special thanks to our Director’s Circle. You make a difference! We gratefully acknowledge the support of the Canada Council for the Arts\, the Manitoba Arts Council and Winnipeg Arts Council. Plug ICA gratefully acknowledges the RBC Foundation and the Johnston Group for their support of our 2018/2019 Summer Institute Program as well as the Cultural Office of the Embassy of Spain as cultural partners in the presentation of Session I of our Summer Institute. \nPlug In ICA relies on community support to remain free and accessible to all. Enable us to continue presenting excellent programs! Please consider becoming a member of Plug In ICA and a donor at https://plugin.org/supportor by contacting Angela Forget: angela@plugin.org \nFor media inquiries please contact: Sarah Nesbitt: sarah@plugin.org or (204)942-1043. \n  \nRelated exhibit:  \n\n\nDIS\, Thumbs That Type and Swipe: The DIS Edutainment Network 
URL:https://plugin.org/event/hannah-black-artist-talk/
LOCATION:Manitoba
END:VEVENT
END:VCALENDAR