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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180329T120000
DTEND;TZID=UTC:20180610T180000
DTSTAMP:20260521T220701
CREATED:20180319T233025Z
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SUMMARY:Przemek Pyszczek: Białystok
DESCRIPTION:Przemek Pyszczek: Białystok\nMarch 29\, 2018 to June 10\, 2018\n\nPowder-coated colours of steel-poles shape a centralized geometric form inBiałystok – Przemek Pyszczek’s first solo exhibition in Canada. Heavily influenced by the architectural and civic structures from his birth town Białystok in Poland\, Pyszczek builds a colourful\, sprawling and unified sculpture that simultaneously captures a conformity and resistance to public housing infra-structures in Communist Poland\, which turned from grey into an explosion of colour post the fall of the Iron Curtain. \nPyszczek’s palette is compiled from these colourful reprisals of civic space as residential concrete blocks were painted in an array of pastel hues with the structure of his sculptures based on architectural details. The lattice of hand railings\, the flourishes in balcony designs and the patterning of fencing and other public to private barriers are references for Pyszczek abstracted forms. The shape comes first and then colour is applied – reflective of the artist’s own encounter with Białystok\, as a measuring of time and an articulation of history. \nThe exhibition title is itself nostalgic in alluding to the artist’s birthplace\, his childhood before his family immigrated to Winnipeg\, Canada and before his return to Poland after the collapse of communism. This reflection on his childhood home is mediated and doubled in the formal construction of the exhibition\, which is an allusion and amalgamation of vintage playground jungle gyms. The form is rigid yet twisted – narrowly escaping the childhood filter of a colourless past retuned as an out-pouring of collective colours. \nPrzemek Pyszczek is a Polish-born\, Canadian-raised artist who is currently based in Berlin. Through architecturally inspired sculptures\, installations and paintings Pyszczek’s work traces Poland’s transition since the fall of the iron curtain and also serves as an ongoing journey to rediscover his own past. He obtained his Bachelor of Environmental Design from the University of Manitoba in 2007. Pyszczek’s work has been exhibited in numerous solo and group exhibitions\, most recently presenting a solo exhibition at Galerie Derouillon\, Paris. His work has been included in Forever Never Comes\, Museo Archeologico e d’Arte della Maremma\, Grosseto\, Italy; 1989 Belenius\, Stockholm; Sandomir\, Nicodim Gallery\, Los Angeles; Industrius\, Window Gallery\, Winnipeg; Building Systems\, Berthold Pott\, Cologne; and Corporalitas\, Open Forum\, Berlin.
URL:https://plugin.org/event/przemek-pyszczek-bialystok/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180329T120000
DTEND;TZID=UTC:20180610T180000
DTSTAMP:20260521T220701
CREATED:20180319T233121Z
LAST-MODIFIED:20180319T233121Z
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SUMMARY:Naufus Ramírez-Figueroa: Shit-Baby and The Crumpled Giraffe
DESCRIPTION:Naufus Ramírez-Figueroa: Shit-Baby and The Crumpled Giraffe\n\n\nMarch 29\, 2018 to June 10\, 2018\n\n\n\n\nShit-Baby and the Crumpled Giraffe is an exquisite display of Naufus Ramírez-Figueroa’s characteristic penchant towards humor\, abjection\, and performance as he transforms bodily action into object form . For his solo exhibition at Plug In ICA\, Ramirez-Figueroa immerses the viewer in a theatrical space where the fantastical meets a corporeal reality. He sets a stage through a series of sculptural forms painstakingly constructed out of Styrofoam\, revealing an imaginary and infantile world. \nExploiting an interest in the function and training of the body that is most acutely encountered in childhood\, for this presentation at Plug In ICA\, Shit-Baby and the Crumpled Giraffe will be adapted from its recent incarnation at the Kunsthalle Lissabon  in Portugal (Fall 2017). Invited into the exhibition through a scattering of objects \, viewers encounter imperfect colored vessels arranged in careful clusters\, and dispersed amidst small piles of “beautifully sculpted poo”. One deviant strand hovers serpent-like – fantastical and ominous\, airborne amidst a human-sized giraffe; a sneaker-wearing pelican carrying a sack of feces; and a seated naked toddler. \nNafus Ramírez Figueroa is a Guatemalan-born\, Berlin-based artist. Working in sculpture\, performance\, video\, installation and printmaking\, Figueroa’s work is grounded in mechanisms and conditions of colonialism worldwide\, with specific investment in Guatemalan history. Receiving ongoing support from Corpus (2015-present)\, Figueroa has engaged in a series of performances that he describes as an “attempt to exhaust my interest into the Guatemalan Civil War (1960-1990)”. The weight of his subjects is often tempered by a playful material sensibility\, forays into childhood\, dreams\, fantasy and the complexity of embodiment. Figueroa holds a BFA from Emily Carr University\, Vancouver with a specialization in media art\, and an MFA from The School of the Art Institute of Chicago. His work has garnered international acclaim\, with notable inclusions in Viva Arte Viva\, 57th Venice Biennale 2017; Incerteza viva\, 32nd São Paulo Biennale\, 2016; Burning Down the House\, 10th Gwangju Biennale\, 2014 and in 2016\, he was a resident artist at DAAD\, in Berlin. He also has strong ties to Canada\, where his work was featured on the cover of FUSE Magazine in 2013 and in 2018-19 Figueroa will present three major solo exhibitions in Canada\, at Grunt Gallery\, Vancouver; the Audain Gallery\, Vancouver; and Plug In ICA\, Winnipeg.
URL:https://plugin.org/event/naufus-ramirez-figueroa-shit-baby-and-the-crumpled-giraffe/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180609T170000
DTEND;TZID=UTC:20180609T190000
DTSTAMP:20260521T220701
CREATED:20180602T031647Z
LAST-MODIFIED:20180602T031647Z
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SUMMARY:Plug In ICA Hosts: Canadian Art Spring Issue Launch Party
DESCRIPTION:On Saturday\, June 9th Plug In Institute of Contemporary Art will host a launch party for Canadian Art’s Summer Issue. The issue takes on the act of translation as its primary focus and includes a special cover commission by Caroline Monnet. Join us and the Canadian Art team for a drink from 5-7pm in our galleries.  Special subscription rates will be available to attendees\, as well as individual copies for sale. \nThis will also be one of the last days to view our spring exhibitions: Shit-Baby and the Crumpled Giraffe by Naufus Ramierz Figueroa and Białystok by Przemek Pyszczek. \nWe are delighted to host Canadian Art during Gallery Day Winnipeg and look forward to seeing you Saturday. This event is free and open to the public. Everyone Welcome! \nFor more information about the Gallery Day Winnipeg events see: \nhttps://www.facebook.com/events/169145097089656/ \nhttps://canadianart.ca/programs-and-events/2018/05/17/gallery-day-winnipeg/
URL:https://plugin.org/event/plug-in-ica-hosts-canadian-art-spring-issue-launch-party/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180626T120000
DTEND;TZID=UTC:20180729T180000
DTSTAMP:20260521T220701
CREATED:20180618T232325Z
LAST-MODIFIED:20180618T233728Z
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SUMMARY:Exhibition: DIS\, Thumbs That Type and Swipe: The DIS Edutainment Network
DESCRIPTION:Exhibition Dates: June 26 – July 29\, 2018\nSummer Party & Opening Reception: July 7\, 2018\nCuratorial text: \n“Welcome to DIS! Genre nonconforming edutainment.” This salutation spoken by Chus\, an animated mouth-eye\, who speaks and blinks at the same time\, is our intermittent narrator and host through dis.art\, a curated video program and DIS’s new video streaming platform. DIS a collective formed in 2010 has been DISmagazine\, DISown and DISimages. They curate\, make installations and objects\, and operate as a hybrid voice that crosses disciplines. In this multi-fold manner of production that frequently shifts identities\, DIS questions the very value of segregating modes of making into specific fields of production or defined viewership. \nThey are connectivity — existing as popular culture\, from fashion to advertising through varied platforms from a shop to a life-style magazine\, while channelling a criticality that doesn’t necessitate the specified category of ‘art’. In their words\, “critique should occur as a compulsory reaction in the body of the public\, rather than as a field of specialised labour.”[i] Chus is both a mouth and an eye\, seeing as they speak\, observing and transmitting synchronously. Education and entertainment align as a means of critique and a methodology. It is a collision of disciplines that in DIS’s hands is both optimistic and dystopic in its visioning of future nations\, reprisals of histories and representation of our present. \nIn Thumbs That Type and Swipe: The DIS Edutainment Network\, DIS present a program of videos from their website dis.art that range between documentary\, instructional video and self-help guide. In an episode of Circle Time\, artist\, designer and editor of Bidoun Magazine\, Babak Radboy teaches children about money\, asking a small deadpan audience of under 5 year olds\, “so what is money”. He continues\, “money is a skeleton.” The children respond with little surprise. “It hides inside of everything that you see and holds it up like a puppet. If you see a chair\, it looks like a chair\, but it is also forty dollars; this room looks like a room but it is $20\,000 a month.” He makes a compelling metaphor that moves into definitions of wages and labour. In another video\, an interview captures the novelist and entrepreneur\, and self-proclaimed Sea-evangelist\, Joe Quirk pushing a new seaworthy technology that allows large structures to float\, at a conference in Tahiti. Quirk\, details a sci-fi story in the making that posits movable sea-pods\, which can disassemble and reassemble into segregated formations of politically aligned seafaring civic societies. And artist Casey Jane Ellison hosts a program\, Mothers and Daughters\, where she comedically\, and at times uncomfortably\, interviews her mother about their relationship in an attempt to unravel the oppositional perception of this matriarchal relationship as a fabricated legacy. \nThis video program is set with an installation that at first glance resembles tradeshow booths or world-fair pavilions. The walls painted a deep maroon with a selection of backlit photographs of people\, objects and text. Four free standing\, gridded and synched monitor’s play the video program of short vignettes in front of a couch made from hay bales. DIS could be selling international audiences on the merits of its nation’s policy and lifestyle\, or as a corporation\, selling its product with its contrived identity. Nations and corporations promote themselves in similar ways through production — gross national and domestic product growth are market gains\, and the people they serve are citizens and customers. \nIn this iteration of Thumbs That Type and Swipe[ii] at Plug In Institute of Contemporary Art\, seven images (from an enlarged and isolated mosquito to a close up of a ‘thumbs up’) are placed in light boxes commonly fabricated for advertising — selling you a pesticide or a national symbol? But of course you are in a gallery within an exhibition and this assemblage of seemingly incongruous images is selected by DIS who use the propaganda of nations and promotional material of markets to chop off heads. A figure stands in a fashionable down vest\, hands in pocket\, headless in a park amongst the trees\, or on the video monitors\, media theorist McKenzie Wark lectures about the possibility of a post pornographic state of being and techno gender\, with his head in his hands or resting on the floor as his body paces near him. “After the beheading what is left on our shoulders? \nDIS’s stylized beheadings seems more about shaking one’s head\, remembering the weight of it\, and shifting one’s perception than a violent removal. But their agenda also reads as direr\, pointed and critical of economic interconnections between commerce and state; the alignment of popular culture with consumers; and controlled flows of information through technology. Their questioning is systemic\, asking how do we learn and who controls it? Both questions linked to streams of directed data. Who sees what and why? \nList of Works  \nDIS\nOnboarding: Thumbs that Type and Swipe\, 2018\n7 Lightboxes\, 38” x 29”\nAdditional Text Drew Zeiba; Design Chris James \nDIS.ART\nVideo program\, total run time: 55 minutes. A compilation of video shorts featuring in order of appearance: DIS; Will Benedict and Steffen Jørgensen; Ryan Trecartin; Darren Bader; Malte Zander; Amalia Ulman; Ilana Harris-Babou; Maroon World; Ryan Trecartin; Casey Jane Ellison; Christopher Kulendran Thomas in collaboration with Annika Kuhlmann; Kim Laughton; Jacob Hurwitz-Goodman and Daniel Keller; Anastasia Davydova Lewis in collaboration with Eno Swinnen (A program guide is available at Plug In) \n[i] Mahammad Salemy\, “Dis in Conversation\,” 2016. https://ocula.com/magazine/conversations/dis/ \n[ii] DIS’s exhibition at Plug In ICA is an edited version of its first presentation in Madrid at La Casa Encendida from February 2 to May 13\, 2018.
URL:https://plugin.org/event/exhibition-dis-thumbs-that-type-and-swipe-the-dis-edutainment-network/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180627T180000
DTEND;TZID=UTC:20180627T190000
DTSTAMP:20260521T220701
CREATED:20180627T060410Z
LAST-MODIFIED:20180627T060410Z
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SUMMARY:Hannah Black Artist Talk
DESCRIPTION:Hannah Black will present an artist talk over video as part of the Speaker series for Thumbs That Type and Swipe: The DIS Edutainment Network (Session I of Plug In ICA’s 2018 Summer Institute).* \nProminent artist\, writer and critic\, Hannah Black studied English Literature at Cambridge University before completing an MFA in Art Writing at Goldsmiths\, University of London. She then participated in Whitney’s Independent Study program. Recently\, she has published two books; Life (2017)\, in collaboration with Juliana Huxtable\, and Dark Pool Party (2016). Her work has been screened and shown in exhibitions across Europe and the United States with recent exhibitions at Real Fine Arts\, New York; Centre D’Art Contemporain\, Geneva; CHisenhale Gallery\, London UK; mumok\, Vienna; Arcadia Missa\, Paris; and New Museum Theatre\, New York. \n\nFor a full list of the DIS: Session I\, Visiting and Video Speakers: https://plugin.org/exhibitions/summer-institute-dis-edutainment-network/ \n\n* For Session I of our 2018 Summer Institute Program we are extremely pleased to have DIS collective member\, Marco Roso as our lead faculty (June 25-July 7\, 2018). Framed by our summer exhibition of the same name\, DIS’s seminar Thumbs That Type and Swipe: The DIS Edutainment Network circles around a series of exhibitions organized by DIS and framed by dis.art\, a new streaming edutainment platform. Through direct engagement with the artists of dis.art\, the session will contemplate a series of linked concerns\, including: the nature of belonging in a rootless-seeming\, networked world; the changing relationship to the ways one owns\, lends or gives time through occupations\, bodies\, or other forms of value-creation. Some of the topics DIS will cover: Money: what is it?; information consumption; the future of citizenship; reparations; love and humor. \n\nPlug In ICA extends our gratitude to our artists\, generous donors\, valued members and dedicated volunteers. With special thanks to our Director’s Circle. You make a difference! We gratefully acknowledge the support of the Canada Council for the Arts\, the Manitoba Arts Council and Winnipeg Arts Council. Plug ICA gratefully acknowledges the RBC Foundation and the Johnston Group for their support of our 2018/2019 Summer Institute Program as well as the Cultural Office of the Embassy of Spain as cultural partners in the presentation of Session I of our Summer Institute. \nPlug In ICA relies on community support to remain free and accessible to all. Enable us to continue presenting excellent programs! Please consider becoming a member of Plug In ICA and a donor at https://plugin.org/supportor by contacting Angela Forget: angela@plugin.org \nFor media inquiries please contact: Sarah Nesbitt: sarah@plugin.org or (204)942-1043. \n  \nRelated exhibit:  \n\n\nDIS\, Thumbs That Type and Swipe: The DIS Edutainment Network 
URL:https://plugin.org/event/hannah-black-artist-talk/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180629T110000
DTEND;TZID=UTC:20180629T110000
DTSTAMP:20260521T220701
CREATED:20180627T204330Z
LAST-MODIFIED:20180627T204330Z
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SUMMARY:Artist talk with Simon Denny
DESCRIPTION:Simon Denny will be giving an artist talk via video stream as part of our Speaker Series for Thumbs That Type and Swipe: The DIS Edutainment Network (Session I of Plug In ICA’s 2018 Summer Institute).*  Everyone welcome! \nFor a full list of the DIS: Session I\, Visiting and Video Speakers: https://plugin.org/exhibitions/summer-institute-dis-edutainment-network/ \n* For Session I of our 2018 Summer Institute Program we are extremely pleased to have DIS collective member\, Marco Roso as our lead faculty (June 25-July 7\, 2018).  Framed by our summer exhibition of the same name\, DIS’s seminar Thumbs That Type and Swipe: The DIS Edutainment Network circles around a series of exhibitions organized by DIS and framed by dis.art\, a new streaming edutainment platform. Through direct engagement with the artists of dis.art\, the session will contemplate a series of linked concerns\, including: the nature of belonging in a rootless-seeming\, networked world; the changing relationship to the ways one owns\, lends or gives time through occupations\, bodies\, or other forms of value-creation. Some of the topics DIS will cover: Money: what is it?; information consumption; the future of citizenship; reparations; love and humor.
URL:https://plugin.org/event/artist-talk-with-simon-denny/
LOCATION:Manitoba
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180629T180000
DTEND;TZID=UTC:20180629T190000
DTSTAMP:20260521T220701
CREATED:20180627T210152Z
LAST-MODIFIED:20180627T212512Z
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SUMMARY:Talk by Architect Nerea Calvillo
DESCRIPTION:Architect Nerea Calvillo will be giving an artist talk at Plug In ICA as part of our Visiting Speaker Series for Thumbs That Type and Swipe: The DIS Edutainment Network (Session I of Plug In ICA’s 2018 Summer Institute).*  Everyone welcome! \nCalvillo joins us from New York for this special presentation. For a full list of the DIS: Session I\, Visiting and Video Speakers: https://plugin.org/exhibitions/summer-institute-dis-edutainment-network/ \n* For Session I of our 2018 Summer Institute Program we are extremely pleased to have DIS collective member\, Marco Roso as our lead faculty (June 25-July 7\, 2018).  Framed by our summer exhibition of the same name\, DIS’s seminar Thumbs That Type and Swipe: The DIS Edutainment Network circles around a series of exhibitions organized by DIS and framed by dis.art\, a new streaming edutainment platform. Through direct engagement with the artists of dis.art\, the session will contemplate a series of linked concerns\, including: the nature of belonging in a rootless-seeming\, networked world; the changing relationship to the ways one owns\, lends or gives time through occupations\, bodies\, or other forms of value-creation. Some of the topics DIS will cover: Money: what is it?; information consumption; the future of citizenship; reparations; love and humor.
URL:https://plugin.org/event/talk-by-architect-nerea-calvillo/
LOCATION:Manitoba
END:VEVENT
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